Horror - Witches Genre

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Summary: Short Synopsis Agata Rosso, a once-mighty yet now prematurely aged European witch, believes that the special gifts in a young girl named Lía Munro can restore youth and vitality both to herself and her bedridden husband. She sets a deadly plan in motion to capture and use Lía—but will the girl have enough power to protect herself, plus the father she loves so much? Outline 1940 in a small farming region, and children have disappeared from the land. Local families—old-time Australians and newer European arrivals—know what to do about packs of wild, scavenging dogs in the forests, but they seem to have no way of finding children whose very bones have vanished from the earth. They also don’t know how to deal with the strange couple Mr and Mrs Rosso, who might just hold the key to everything—including the miraculous breaking of a ten-year drought. Now it’s 1977 and the wider city is growing, encroaching into these outlying communities and turning pristine farmlands into new housing estates. Paul Munro and his daughter, Lía, have arrived to inspect an available property; it’s the secluded hillside old home of the Rossos. Paul and his wife—who has recently died—grew up around the area. Paul wants to show Lía the countryside of his early years, but when Lía experiences Rosso House for the first time its undeniable spell and the spirits it hides makes her understand that this is the place she really wants to be. Just turning sixteen, grieving the loss of her mother, experiencing a spiritual awakening she doesn’t understand, Lía loves the quiet isolation and rural beauty that Rosso House and its land has to offer. At first her new life with her father seems idyllic, yet she’s soon drawn into committing a terrible act of mercy. At the same time Paul meets the beautiful and enigmatic Candela, only to become ensnared in the evils that hold her and her baby captive. The connection between Lía’s suffering and Candela’s troubles might just be the wizened old witch, Agata Rosso. Constantly searching for a way to restore her youth and her husband’s powers, Agata soon discovers just how useful Lía could be. She sends the most ruthless of men to capture her; in parallel, the terrifying man-wolf-father of Candela’s baby will do anything to get his son back. Lía desperately needs her father’s help; Candela is trying to escape a world of violence; both women are soon confronted by the very definition of evil. Will they find help from others, or is there some deeper answer within themselves? The shadow-worlds of ancient evil and modern corruption collide in this supernatural thriller, blending past and present, history and fiction, into a mesmerising adventure.

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Summary: The Fright Factory is here to help you as you labor in the control room, on the assembly line, or mixing the chemicals of inspiration and imagination in huge vats that give off dark and eerie vapors. Here you'll find guidance in drawing up the blueprints of your story along with a selection of tools to help you customize your design. The elements of horror include the setting, the tingle of suspense building into genuine fear, and of course the Monster. Those are the basics. From there horror can become ghost stories, tales of suspense, splatter and/or gross-out horror, and what might be called the O. Henry approach (twist endings). Cross-genre writing mixes in police procedurals, P.I. stories, and medical horror. Romance with monsters has become popular. You can also throw in the weird western, the Elder Gods, and Joe R. Lansdale - a category unto himself. Whether you're telling a weird tale in the classic tradition of Clark Ashton Smith or creating cutting edge steampunk frights, the long and venerable history of the horror story has also spawned a set of clichés you'll want to avoid. Now the whistle shrieks, signalling the beginning of a new shift. Time to set the machinery of the factory in motion as we explore the art and craft of building better horror.

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Summary: WILL YOU BE ONE OF THE INVITED? A forbidden midnight market is coming to town. The Night Bazaar isn't new. In fact, it's as old as civilization. Its first recorded appearance was in Sana'a, around 700 B.C.E. with secretive merchants from the East who presented covered stalls of exotic goods and arcane services. Various mentions appear in obscure and controversial works from around the world. The only common element is that the market opens at midnight, closes before sunrise, and may appear for up to a week in the same city . . . Paris, 1796 . . . London, 1888 . . . Berlin, 1936 . . . San Francisco, 1906 . . . but never in the same venue each night. And never again in the same city. There's just one catch: In order to find it, you must be Invited. Tonight, The Night Bazaar opens in a parking garage somewhere in Manhattan. A whole subterranean city full of antique costumes, alchemical treatments, magical dentistry, palmistry, Tarot, tea leaf-reading, and water-, glass-, and crystal-gazing, oddities and objets d’art, medical curiosities and surgical instruments. Other lost arts and body alterations are offered in certain alcoves. Through the narrow aisles throng jongleurs, freaks, charlatans, mountebanks, faeries, prostitutes, and acrobats. The scents of opium, perfume, tobacco, greasepaint, incense, plastic explosive, alcohol, and sex permeate the air. But each object or service comes with a gift, a curse, or a haunting. (This is the summary of volume one. However, The Night Bazaar anthologies need not be read in any particular order; they are all designed to stand alone as well.) The Bazaar sells that which cannot be had elsewhere. Everything you’ve read about but thought had passed away, or perhaps never existed. How wrong you were! Your guide is Madame Vera, a tall, thin woman of uncertain age, ethnicity, and trustworthiness. The stories within are your invitation to join us. It seems you have already spotted something you desire . . . but don’t head off that way, not just yet. You have all night . . . but not a moment more.

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Summary: Welcome, Gentle Stranger. The Night Bazaar is open to you, once more. But this mysterious midnight gathering isn’t the usual marketplace. It’s a vendor's faire not constrained by geography or time. One week it appears in present-day New York, the next in . . . well, let’s say 14th century Venice, shall we? For this time, Madame Vera and the other peripatetic denizens of The Night Bazaar return to the Bazaar’s roots. Its origin story and inaugural appearance, as the exotic marketplace pitches its colorful tents in La Serenissima, the city of a hundred canals, host to fancy glassworks, masked revelries, and singing gondoliers. And – you guessed it. Unfortunately, in 1348, to the Black Death. The market's aisles are still crowded with vendors of the rare and unusual, exotic dancers, assorted faeries, jongleurs, acrobats, mountebanks, courtesans, and purveyors of curious objets d’art. Booths feature medical oddities and strange instruments of all sorts. Tents offer passersby unusual, uncanny services. But this time, the Plague threatens the complacent citizens of Venice. Who will survive, and at what cost? The Bazaar always sells that which cannot be had elsewhere, at any price. Everything you’ve read about, but thought had passed away, or perhaps never existed. How wrong you were! For Madame Vera and her staff can take you anywhere, and anytime. You need only be Invited . . . and now you have been. (Volumes of The Night Bazaar can be read in any order; each anthology is designed to stand alone as well. Time is relative, after all!)

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Summary: Summary of Book: Their leap of faith could unleash magic -- or plunge them into darkness. Henry Thorn has worked at Larkin's since graduating high school. He likes it -- especially when he can use his secret skill of hiding inside shadows so his boss can't find them. Without that talent, he would never had survived growing up different. When a hire enters the store, Henry's other latent talent kicks in. He can smell an emotional response even before he lays eyes on the redhead. Jamey Currey came out, and his conservative parents promptly kicked him out. He, too, is different -- he senses Henry's attraction the moment they met. The first time they kiss, torrential rains fall from skies split by lightning. Their kiss also awakens the Watchers, diabolical hunters who will stop at nothing -- even extermination -- to keep magic suppressed. With the help of a friendly coven of friendly witches, the boys embark on a quest to discover an ancient key to restoring magic to the world, and to understand mysteries of their own hearts. The question is, will this quest cost them their lives?

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Summary: In Unsafe Words, the first full-length collection of her edgy, award-winning short stories, Loren Rhoads punctures the boundaries between horror, dark fantasy, and science fiction in a maelstrom of sex, drugs, and rock-n-roll. Ghosts, succubi, naiads, vampires, the Wild Hunt, and the worst predator in the woods stalk these pages, alongside human monsters who follow their cravings past sanity or sense. Featuring an introduction by Lisa Morton and cover art by Lynne Hansen, these never-before-collected stories come from the magazines Cemetery Dance, Space & Time, City Slab, and Instant City, the Wily Writers podcast, and from the books Sins of the Sirens, Demon Lovers, The Haunted Mansion Project: Year Two, Tales for the Camp Fire, and more. One story, “With You By My Side It Should Be Fine,” is original to the collection.