fantasy – slipstream

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Summary: Mistakes were made. The future is uncertain. And Time doesn't care.   As the story ends, we'll finally learn how it started. The world is breaking apart. Only the combined willpower of Hades and Hel can save it. But Love has other plans. Meanwhile, the gods need to deal with the outcomes of their choices; everyone else needs to survive them. And Psyche must finally face her greatest foe. Can free will cheat fate, or is fate the consequence of free will?

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Summary: Arianh had one wish. Yewlow made it real. And Time turned it into a regret.   Anachrony takes you on a journey to the bleak future of Aegea and the darkest places of the mind. Can fate be avoided, or is the future just someone else's past?

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Summary: INK (NOUN) Five definitions to inspire writers around the world and an unlimited number of possible stories to tell: 1) A colored fluid used for writing 2) The action of signing a deal 3) A black liquid ejected by squid 4) Publicity in the written media 5) A slang word for tattoos Ink features 300-word speculative flash fiction stories from across the rainbow spectrum, from the minds of the writers of Queer Sci Fi.

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Summary: The Nephilim loom over Niflheim. Gods, Dharkan and mortals fight amongst themselves in their shadow. And Time is on no one's side. The gods are outmatched, their talents useless against the Nephilim's technology. Desperate, they turn on each other. New alliances form and fall apart, for there can be no peace when survival is at stake. Psyche, torn between a goddess's duty and a mortal's hate, sets off on her own to learn the truth behind her fate, unaware of the danger following her. Meanwhile, Chronos' own agenda involves a power so dangerous and unpredictable it's been long forsaken by both the gods and the Nephilim. Will it be worth the risk?

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Summary: Gu Non couldn’t stop thinking about the magic. They’d lied to her about it. They’d lied to everyone. No one lied to Gu Non. Lord’s Dome is a slipstream fantasy about a girl who refuses to believe that the fate of her family is to suffer, the mining elder who must suddenly decide whether to trust this lone girl, and their search for the truth of an enigmatic god while the unyielding everstorm rages overhead.

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Summary: The enemy is defeated. The gods strike a truce. And the Dharkan strike against the gods. Victory has cost both gods and mortals dearly. The veil between life and death in Niflheim is thinner than ever. Try as they might, the gods are powerless against the influence of Time, and their past mistakes threaten not only their future but their very existence. Now the fate of eternity rests in the unlikely alliance between the goddess of the soul and a soulless Dharkan, as they must work together to achieve peace between the living and the dead in Aegea. And although their goals may seem similar, the motivations behind them couldn’t be more at odds with each other. Meanwhile, a greater enemy approaches. Or maybe it’s already here...

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Summary: The God of Time wants to destroy Eternity. A mysterious immortal seeks vengeance. And a reclusive deity does what no god should ever do: she answers a prayer. As punishment, she is stripped of her powers and trapped in a mortal's body. Now a Wyrd – a fated god – she is haunted by the memories and thoughts of her host and must hide her true identity in order to survive in Niflheim, the rival Norse Underworld. There she discovers the afterlife is not quite what it used to be. Niflheim's new ruler threatens the precarious balance of a world overrun with outcast deities and mortals alike. To save her own sanity and find her way back to the stars, she must help the other Wyrd overcome their grievances to defeat this enemy, but those who would be her allies appear to have motives as hidden as her fragmented consciousness. And yet it seems the greatest threat to her freedom comes from within, and the prize it seeks is her immortal soul...

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Summary: “Lancer Kind takes F Scott Fitzgerald's sensibility and gives it backbone.” “Completely convincing passing details about life in Mesopotamia, 30,000 years ago...” Betrayal not just by one individual, but his whole tribe. This is what fourteen-year-old Akiya faces when the Elders force him to leave and friends drive him away with branches and rocks. Despite this, when strangers from afar arrive with magic that inspires Mesopotamian youth to leave their peoples, Akiya wants to help those he love. First, learn the stranger’s magic, he decides. Master it; then his people must welcome him back. But magic this powerful carries with it many troubles.

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Summary: Science Fiction & Fantasy Translation Award Winner Best Translated Book Award Shortlist “The celebrated Châteaureynaud, who over the course of a distinguished career has created short tales that are not exactly contes cruels but which linger on the edge of darkness and absurdity.” —New York Times Georges-Olivier Châteaureynaud is well known to readers of French literature. This comprehensive collection—the first to be translated into English—introduces a distinct and dynamic voice to the Anglophone world. In many ways, Châteaureynaud is France’s own Kurt Vonnegut, and his stories are as familiar as they are fantastic. A Life on Paper presents characters who struggle to communicate across the boundaries of the living and the dead, the past and the present, the real and the more-than-real. A young husband struggles with self-doubt and an ungainly set of angel wings in “Icarus Saved from the Skies,” even as his wife encourages him to embrace his transformation. In the title story, a father’s obsession with his daughter leads him to keep her life captured in 93,284 unchanging photographs. While Châteaureynaud’s stories examine the diffidence and cruelty we are sometimes capable of, they also highlight the humanity in the strangest of us and our deep appreciation for the mysterious. Reviews “Châteaureynaud is a master craftsman, encapsulating weighty themes with pith and heart. In his hands, the short story is a Gothic cathedral whittled from a wine cork.” —The Believer “Châteaureynaud celebrates the quiet, hidden beauties of the world and the objects or knowledge we hold tight like talismans to protect us from its losses and horrors.” —The Quarterly Conversation “Châteaureynaud makes expert thematic use of both light and shadow to reveal his fantastical realms of wonder and fear. His unassuming prose startles as it entrances, holding readers on the edge of elegantly rendered, fantastical dream-worlds while all at once alluding to their more nightmarish qualities. In the style of Kafka and Poe, Châteaureynaud makes the supernatural seem not only present, but ubiquitous, inclined to encroach at any moment on the humdrum lives of unsuspecting mortals. More sinister than fairy tales, yet not quite definable as horror stories, Châteaureynaud’s whimsical writings leave one unsettled and alert, appreciating anew the possibilities of the chilly night air while simultaneously feeling the urge to draw nearer to the fire—just in case.” —Catherine Bailey, Three Percent “The collection will perhaps appeal especially to those who enjoy their fiction short and concise, not to mention intense and decidedly peculiar. If you . . . are interested in dream-logic, fantastic situations, the unexplainable and/or macabre . . . this volume delivers again and again.” —Neon Magazine “Châteaureynaud’s stories are disorienting, bizarre, mythical. The stories don’t end with epiphanies or a tidy wrapping-up. Some of the endings are abrupt, even unsatisfying; they feel more like a beginning. So what? A Life on Paper is fantastic in both meanings: it’s fantastic, as in strange, unreal, weird, imaginary; and it’s fantastic, as in absolutely fucking awesome. People will call A Life on Paper magical realism. A few will call it irrealism. I don’t care what you call it. I just want you to read it.” —Bookslut “Both classic and modern, strange and simple, Châteaureynaud’s stories remind not only of Vonnegut but of Gogol and Kafka. What’s endearing about the stories is the amount of tenderness running through them. Even in stories about bizarre cruelty (the title story tells of a father who had his daughter photographed a dozen times a day for her entire life), affection provides the glue.” —Time Out Chicago “A Life on Paper is a brief selection from more than thirty years of fiction. Châteaureynaud has a backlist for American readers that this book makes enticingly tangible, almost real. His own work is such that it might be subject of one of his stories. This might be all there is, the rest pure fabrication. The unreal, awaiting translation.” —Rick Kleffel, The Agony Column “These 22 curious tales verging on the perverse will strike new English readers of Châteaureynaud’s work as a wonderful find. Beautiful prose featuring ingenuous protagonists and clever, unexpected forays into horror are the hallmarks of these mischievous stories.” —Publishers Weekly “Georges-Olivier Châteaureynaud is 63 and has never published a book in English until now. A Life on Paper: Selected Stories, brilliantly translated by Edward Gauvin, opens the door at last. . . . Nothing matters in this book unless it has been told, everything is told. Open this book.” —John Clute, Strange Horizons “Châteaureynaud’s dance steps are so nimble that he seems, without effort, to show us what is best in others.” —Brooklyn Rail “Châteaureynaud has sometimes been called the Kurt Vonnegut of France. However, this collection of 22 of Châteaureynaud’s stories—which are often other-worldly and not infrequently unsettling—may speak to some readers more directly of Kafka.” —Christian Science Monitor “As weird as they are elegant, as delicious as they are unsettling, these fables place Châteaureynaud in the secret brotherhood that has only exemplars, no definition: Kafka, Bruno Schulz, Nathanael West, Aimee Bender. We are lucky indeed to have them, in a very skilled translation.” —John Crowley (Little, Big) Table of Contents Foreword by Brian Evenson