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Sinners’ Opera

Book 1, The Sinners series

by Linda Nightingale

Book Cover: Sinners' Opera
Part of the The Sinners' series series:
  • Sinners' Opera
Editions:ePub - Sinners' Opera: $ 2.99
Pages: 419
Paperback - Sinners' Opera: $ 9.99
Size: 6.00 x 9.00 in
Pages: 356

Morgan D'Arcy is an English lord, a classical pianist…and a vampire. He has everything except what he desires most—Isabeau. When she was a child, he appeared to her as the Angel Gabriel, guiding her life and career choice, preparing her to become Lady D'Arcy. Many forces, including Vampyre law, oppose Morgan’s daring plan. If discovered, he faces death—and so does Isabeau.

Isabeau Gervase, now a brilliant geneticist, no longer believes in angels. However, Gabriel made a mistake, leaving behind a lock of hair. She sees a Nobel Prize in his DNA. Her work has led to a startling conclusion. Gabriel isn't human, and she fully intends to identify the species she named the Angel Genome.

Morgan is ready to claim his heart’s desire. Will he outsmart his enemies, protect his beloved and escape death himself? For the first time in eternity, the clock is ticking.

Published:
Publisher: DSP Publications
Genres:
Tags:
Tropes: Fated Mates
Setting: Charleston, SC
Languages Available: English
Series Type: Continuous / Same Characters
Tropes: Fated Mates
Setting: Charleston, SC
Languages Available: English
Series Type: Continuous / Same Characters
Excerpt:

"Dear Lord," a woman called to heaven, "such a young man. So near death. What could have happened to you?"

My body was a long, cold ache.  A hot core throbbed in my chest.  Wet and shivering, I craved only sleep, but her strong heartbeat throbbed in my veins.

Sirens wailed to a crash of thunder.  Somewhere, someone was in trouble.

I drifted on the ebb and flow of pain until someone gave me a gentle shake.  Reluctantly, I opened my eyes, blinking to focus.  Indistinct shapes materialized out of fog.  Rainbow angels battled demons in a stained glass window.  Marble statues leered at me from the shadows.  An ornate crucifix threw its shadow on the ebony saint bent over me.  Her countenance was round,  a broad nose and plump lips.  Pity brimmed in the glistening black eyes studying me.

"You’re awake.” A smile trembled on her lips.  "Thank you, Jesus."

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She seemed to be in close communication with the man on the cross. My upper body rested on her lap, my legs stretched on a cold floor. Lush breasts cradled my head.  I was tempted to turn my face into the warm softness but that might get a man slapped.  Her red blouse smelled of baking bread, the tiny pearl buttons mesmerizing.

"I do declare you had me worried. You been so still like.”

Her thick dialect called to me from the past, but I didn't know if it was yesterday or years ago.  I don’t know who I am.  Frowning, I tried to remember.  A tentative smile toyed with her lips.  I started to smile back, but the scent of fear distracted me.  My clothes reeked of fear.

Another fragrance—dusky red and delicious—sent a wonderful shiver through me.  The rich aroma of her blood appealed to me on levels I didn’t understand.  The sensation was raw hunger mingled with passion, yet more, much more.  Beyond the blood-scent, the musk of old wood and incense, the perfume of religion, summoned a vision of a blond boy in black velvet and white lace kneeling at an altar.  As I grasped at memory, like a wave retreating from the shore, something important slipped away from me.

The woman gazed down at me with such compassion, I wanted to touch her lips, tell her how much...how very much...I ached to kiss her, but when I tried to lift my hand nothing happened. Terrified, I glanced at my hands, the bleached fingers curled into dead claws.  The hands once considered magic and beautiful were horrible.

Panic drew my knees toward my chest. "Oh God, my hands can't be paralyzed."

The blow was physical, knocking the breath from me.  If I'd been struck blind, even deaf, I could still play but if my hands were paralyzed—I was lost.  Music was my most beloved mistress.  My piano alone stood between madness and me.

My companion shook her head, refusing to meet my gaze.  “Shush now, you going to be all right. Mother Superior’s gone to call for help.”

“Mother Superior?" Was I lying in a nun’s lap? I was in a church, and that seemed totally absurd for some reason but I was too terrified to laugh.  Crisp dark curls peeked from beneath a red bandana not a wimple. "You’re not a nun.”

“I come help the sisters out.  I might be a nun some day.”

Why didn’t she shut up?  Her pity mortified me.  Since I'd been that boy in velvets and lace, no one had seen me cry.   Swallowing convulsively, I squeezed my eyes closed.  The other feelings she excited, I couldn't deal with now.  She gripped my shoulder, and I remembered to breathe but refused to open my eyes.  I couldn’t bear the sight or the scent of her.

Like an internal map, an anatomical image of flesh, muscles and veins spread across my eyelids.  Hours, days, years might have passed but it was probably only a moment or two. Tingling needled my numb arms, swept into my fingertips, relaxing the ugly claws.  Breath held, afraid to hope, I willed my right hand to rise, felt the sensation of movement and opened my eyes.  The hand lifted, hovered, flopped on my stomach.  Dried blood crusted a jagged hole in my velvet coat.  Fresh blood warmed the center of the wound.

Ah, another shade of the dusky red fragrance.  My blood possessed a wild bouquet, almost feral, and completely different from the woman's blood.

"See. Your hands is okay.  You want a drink of water?"  She rested a warm palm on my forehead, reached behind her with the other to produce a gold chalice, set with garnets.  “You're not feverish. Chilled more like.  Try to drink a little, Hon."

Relief made me giddy.  I smiled, imagining a geyser of water gushing from the hole in my stomach.  Mustn’t laugh or I'd never stop.  To be sure, my situation was no laughing matter.

The water smelled fresh as a mountain spring, and I was parched. When I placed my hands over hers, she inhaled, surprised how cold they were.  I drank deeply, the molten liquid searing my throat and bursting into flame in my stomach.  Agony folded me over her arm as bloody water spewed between my clenched teeth.  She stroked my back while I retched, trying to vomit my guts on the church floor.  At last, shuddering and weak, I collapsed in her lap.

"It’s just tap water.  Are you okay?”  She mopped my lips with a crumpled paper towel she’d fished from her pocket.  “Poor angel. We found you on the river bank, legs in that freezing water.  When we pulled you out, we thought you was—”  She trapped her lower her lip between her teeth, biting off the last word.

Dead whispered in my mind with the woman’s thick accent.  Mystified, I glanced at the man on the cross.  What miracle was this?

“We was looking for a little girl that her momma called and said was coming this way.  Lucky I was here helping. I’m strong. I helped them get you up here.”

I watched the woman who'd rescued me struggling for words of comfort.  None came. Rain hissed at the silence.

Her gaze shifted.  We both watched her fingers deftly untangling blood-matted blond hair stuck to my jacket.  As she worked, she hummed the hymn, Just As I Am.

“You’re very kind.”  The water had scalded my throat raw, but I wanted to reassure her that she hadn't frightened me by thinking I might die.  "Thank you for helping me."

She lifted her head, a wistful smile on her lips and asked, as if we were conversing at a garden party, “Are you English?"

“I think I am,” I said, frowning with the effort to remember. "Yes."

“You talk like it." Tender as a mother, she stroked the hair back from my forehead.  "Do you hurt bad?"

"No."  The pain had lessened with each heartbeat.  No longer warm and wet, the wound tingled and I'd seen it healing.  Was I delirious?

“Talk to me some more if it don’t hurt. I do just love an English accent.  I used to dream of going off to England, meeting my Prince Charming."

Dreams misted the black gold eyes drifting over my face. Her memories came to me as clear as images projected on a movie screen.  She thought I resembled a British musician in the rock band she'd been watching on television the day the lawyer delivered adoption papers.  That sinful day Mary Jones had cast her illegitimate son away, like little Moses, on a river of legal documents.  Mary considered taking vows to atone for that sin.  My heart segued to the rhythmic throb of her pulse. I was too sick to question why I heard her thoughts so I simply closed my eyes to listen.  In the limbo between wakefulness and sleep, her sorrow lapped at me.  I wished somehow I could ease her pain.

Razor-sharp memory sliced me open and I sat bolt upright. "God's Teeth!"

Before the fall, I'd been shot.

And like machinegun fire, images snapped before my eyes.  I saw my Jag plunging over the guardrail at the very top of the Cooper River Bridge.  Now, in the silent sanctity of a church, I felt the wind whistling past my face as the force of the fall sucked the breath from my lungs and tried to pluck me from the convertible.  Irrationally, I’d clung to the wheel as my beloved roadster sank, in a slow rocking ballet, to the river bottom.

During that interminable swift plunge, I hadn’t been afraid of dying.

Mary touched my arm, gazing at me across an unbridgeable gulf.  "Be still, Hon, or you're gonna start bleeding again."

I was in no danger of bleeding to death or dying from any natural cause. I knew why I’d heard her thoughts, why the aroma of her blood bedeviled me.  I knew who and what I was.

The blood staining her blouse was a miracle drug that could cure the most grievous human diseases—and secure eternity for a predator. The wound that would have been fatal to a mortal had almost healed. Within hours after the ritual blood exchange, a fragile yet potent virus had mutated my DNA.  I'd never actually died; would never feel death's cold hands.  The Vampyre Effect was a transformation from one species to another.

What miracle I’d asked?  An unholy miracle.  Resurrection at the price of human sacrifice.

The pain twisting inside me was a living thing—ugly, urgent, older than the world.  In a vain attempt at control, I ground my teeth together until my jaw ached, clenching my hands into fists, the tendons bunched like steel bands beneath the translucent skin.

I lost control, my eyes turning red.  I shoved at her.  “Run, Mary. For God's sake run.”

Her hands branded my shoulders, sending shockwaves of need coursing through me. “How did you know my name?"

“You look like a Mary.”  I gasped, trying to crawl away. “Bloody Hell, run woman.”

Saliva broke beneath my tongue.  My heart thundered like the charge of the Scots Grays.   Instinct twisted me around to face my salvation and my damnation. My lips parted to reveal the one unmistakable characteristic of my kind.

“Lord Jesus, save me.” Mary clutched the little cross around her neck.

I knelt in front of my savior as was befitting.   Holding her gaze, slowly I leaned very near her heaving breasts to touch the cross to my lips.  “Too late to run.  Too late to hide and Mary Dearest, your cross won't save you."

Her eyes clouded. Her jaw went slack. Even when I was too weak to command my more esoteric powers like enchantment, I’d mesmerized her anyway.  It was just too bloody easy. Vampires were the perfect predators.  But I had a choice.  Didn't I?

They are cattle for the slaughter.  My maker's words echoed across the centuries.  I’d never held that truth to be self-evident.  I preferred to view our relationship with humanity as a mutual love affair with death.  If I 'd followed my vampire mother’s advice, I’d be a damned sight better off tonight, and Mary’s life, unhappy as it had been, wouldn’t be in jeopardy.  I hated myself and I hated the wannabe nun for tempting me.

“What’s your name?” She inhaled a long, slow breath as she toyed with my hair. “You’re as beautiful as an angel.”

Another wave of misery washed over me.  She wasn't the only one who thought I looked like an angel.  Once someone, lost to me now, believed I was an angel.

“My name is Morgan.” I couldn't bring myself to say my second name, an angel’s name.

Mary ran her finger down my cheek.  "Pretty name Morgan.”

So simply, the seductive dance that would end in Death began.

The pulse beneath her jaw and her breathing quickened.  I was starved for living blood.  Moth to flame, I bent over her, my open mouth brushing a kiss to her satin skin.  When my tongue traced the thudding artery, she whispered my name and shivered, didn’t cry out when I ripped her cotton blouse from neck to waist, the pearl buttons popping off to dance on the floor.

“I’ve been bad.”  She stroked my shoulders. “Sold my body to men. Had to. To keep body and soul together.”

“One does what one must to survive.”  I caressed her lips with my tongue.

Her mouth opened for my kiss.  Shuddering, she melted into my embrace.

Instinct was too strong, my need too desperate to indulge in a slow seduction or to worry about the spiritual ramifications of taking a would-be nun.  In shades of crimson, I saw her, a vessel brimming with life.  With a moan of desperation, I crushed her to my chest.  My fangs glided into the right carotid artery.  Blood, as sacred to me as Sanctified wine, spilled into my mouth.  My body and my cock went rigid.  Locking her arms around my neck, she welded my mouth to her throat.  I sucked hard, bruising her flesh.  She moaned, undulating against me.

Mary wanted a man not these cold dead saints.  Or my cold deadly lips.

Deep in bloodlust, I would probably have killed her then and there, but a psychic warning like a chill seeped through me.  In my mind, images formed.  A black bat battled the rising storm.  Robes billowing, a nun hurried down a brick path shadowed by an arbor of water oaks.  Like dirty grave shrouds, Spanish moss fluttered in the wind.

Thunder rattled the stained glass windows, and sirens screamed louder at the night.

"’Od’s teeth not now." Blood-blind, I tore free of Mary’s embrace, scrambling to my feet as the door opened on a frigid blast.

A hand climbed my leg.  Mary called my name.  The Mother Superior’s back was turned while she flipped a switch.  My hands shot up to shield my eyes from the stab of light.

The old woman’s voice rasped like a rusty saw, setting my teeth on edge. “Bad accident. Some fool drove off the Cooper River Bridge.  Finally got through to the EMS."

Hail pelted the roof.  The Mother Superior turned.  Her hand flew to her chest, clutching the stab of pain.  I licked the blood from my lips.

“Dear Merciful God.”  She staggered back, fumbling behind her for the latch. “What—what—"

What a grisly sight I must be.  Blood and mud caked my clothes, leaves and refuse tangled in my hair.  I felt supremely evil. Evil with a tear in his eye.

The old woman had become a religious statute, only her lips moving. “God help me.”

The irony of it struck me, funny really, but very sad.  The victim of that bad accident at the bridge had drifted downstream to wash up at the mercy of the Church. The sirens screamed for me.  Mary’s blood, spiced with lust, moved hot in my body, sharpening perception.  I could read the old woman as easily as I might read a book.  Cancer ate at her lungs but the well-worn grief gnawing at her faith would claim her life before the disease ran its fatal course.  I felt sorry for her, but the hunger had no friends, knew no compassion. Injured, bled dry, I required blood to heal.

The Mother Superior squared her shoulders in a show of courage though the acidic odor of terror betrayed her. “The police are on their way.  You’ll never get away with this.”

“Indeed.” Like a priest offering benediction, I spread my arms in invitation. “Mother, give me your pain.”

Elizabeth Berry, Mother Superior, clasped the loose scarf of flesh beneath her chin in a futile attempt to stifle a cry.  As she limped toward the altar, her legs gave way beneath her bulk.

“Oh, oh, Johnny.”  Rocking to and fro, she keened, “How could God be so cruel?”

Would that I could free her from the spell I’d cast, but her misery was my ticket to freedom.  I supplied lurid detail from my sojourn in the Cooper River because little Liz hadn't actually seen her brother drown.  As if a ghost struck the old pipe organ, thunder boomed a long rolling chord.  I turned back to Mary.  My Madonna had roused from her swoon.

Dark eyes watched me.  Her tongue glided across her lips.  Ample breasts rose and fell in a hypnotic rhythm. I smelled the musk of sexual desire.  Mary would not have made a good nun.

I smiled and stroked her hair.  “And so you shall hold me.”

When I drifted down beside her, she kissed me full on the mouth, didn’t flinch when my teeth lacerated her tongue.  Vertebrae by vertebrae, she relaxed.  It was a holy experience—the sweetest water to a man dying of thirst.  I drank her beauty to the end, and when it was done, I was whole.  At last, Mary was free—without having to utter those black-and-white promises.

The fierce electricity of the kill shocked me to my feet, power vibrating every cell.  The texture of light and dark I felt in shimmers—the light translucent, weightless, the dark opaque, soothing.  The howling wind, volleys of rain, even the hellish wail of sirens, were music.

I checked my watch.  At twenty to nine, the expensive timepiece had stopped marking time.  My sojourn in the river and recuperation had been short.   Ninety minutes give or take.  Immortality, isn’t it grand?  That remained to be seen.  For me, eternity had become a game of chance.  Health and powers restored, I faced an uncertain fate.

The Mother Superior wept.  Mary slept at my feet.  I met remorse and sorrow in their most immaculate form.  In the name of love, I’d dared to break all the rules. In the name of love, I’d thought to shed my nature like a worn cloak.  In the name of love, I’d lost everything, even my own identity.  Regrets were immaterial now.  Before dawn, there’d be a gracious plenty of time to mourn.  Behind me, my savior awaited her funeral pyre.

I bent to sign the cross over Mary’s forehead and sank into trance to collect the power.  Fire and ice resonated in the core of my being.  Blue sparks shot through my aura. It was pleasure; it was pain.  It was necessary.

“Go to your God, Sweet Mary.”  I focused white-hot, blue-cold wildfire on an empty shell.  The body glowed, ignited in a blinding cerulean flash.  When the searing light faded, no trace of the sweet sorrow named Mary Jones remained.

The buzz of voices on a police radio warned me that time had indeed run out.  I hurried to the old woman weeping for her long dead brother.

"I'm sorry."  I kneaded her shaking shoulders, but the Mother Superior ignored my apology as I must ignore her pain. "Sister Mary ran away. Forget the man you fished from the river. He was never in your church. Release the pain.  Sleep, Mother."

Tears overflowed the deep wrinkles carved in her face. She swayed, and as she collapsed, I caught her, easing her to rest at the altar.  In the parking lot, car doors slammed.  I fled down a dark hall, found a side door and burst into the fury of the storm at the back of the church.

Across the brick path, a stained glass window cast a reflection in primal colors.  An image of a crucified Christ gleamed in a puddle of rain.  I’d grown up Protestant in a world where Catholicism was a punishable offense.  Now I was an infidel.  Still a shiver leapt down my spine.  Moments ago, I’d taken a prospective bride from Him.  I stared at the wavering reflection.  The heartbreaking truth was that I’d find no friend in this town tonight, and tomorrow who'd be the first to find me?  The police or the vampire who loved me yet was duty-bound to destroy me?

The clamor of men’s voices broke my trance.  Charleston’s finest were on my heels like hounds on a fox.   I jumped over the accusing Christ and whisked into the stinging darkness.  Swift and silent, I skimmed over the brick path.  Beneath the canopy of oaks, stone angels guarded mausoleums in the newer part of the cemetery.   I sank down on a wet stone bench, buried my face in my hands.  Mustn't allow the police to catch me, of course, but I’d hear them long before they drew close.   The wind still howled.  Yet here it was quiet as if the sleet and rain were a curtain cutting off all sound.  Spectral light, like foxfire, darted behind the trees—the headlights of passing cars—another world and I was trapped outside.

The shimmer of a presence roused me from thought.  I lifted my head, eyes narrowed at the darkness.  The ghost of a child watched me from hollow eye sockets.  A deep chill rolled over me. My ancestral home was haunted, but I'd never been this close to an apparition.

“Mister? You all right?”  Her voice lilted like a xylophone.

Laughing at myself for allowing my imagination to run away with me, I swept wet hair back from my face and lied. “Yes, thank you.”

A refugee from Les Miserables peered at me with the strangest, most beautiful eyes I’d ever seen.  They were gray, flecked with black.  Her hair was as straight, thick and pale as mine, flowing over thin shoulders past her hips.  When she took a tentative step closer, I saw that her legs were horribly twisted, a birth defect.  Anger burned a hole in my chest.  I could have helped end the needless suffering of the innocent.  With what I’d given her—without me—soon Isabeau would save unborn children from this misery.  Tears stung my eyes.  I gritted my teeth against the grief and regret surging in me.

"That looks like blood on your coat."  The girl wiped her nose on her hand.  “It’s dark. What’re you doing alone in the graveyard?  Did somebody you love die?”

My throat closed.  I couldn’t breathe for a moment.  “Not exactly.”

“You’re either dead or you’re not.” The ghost-like urchin, shivering in a thin, torn jacket, couldn’t have been older than ten.

“That’s not exactly true either.”  I kicked an acorn with my toe.

She stepped a little closer into the shadow of the tomb where I sat.  “You talk funny.  Where you from?  Like music, kind of going up and down.”

“What are you doing here alone at night?  Aren’t you afraid of ghosts?”

Her face was young but too wise.  “Momma says the dead can’t hurt you.  It’s the living you got to worry ’bout.”

“Your mother is a wise woman.”  I studied rain-jeweled trees, rain-slick path.

The girl shrugged a shoulder.  “If she was all that smart, she'd get rid of Tommy.”

I wished I'd time to continue this conversation.  “That’s why you ran away?”

“Yep.  Sick of kids laughing at me.  Tired of being hungry.  I’m going to ask the sisters to take me in.  I can work.”  She tilted her head to the rain, sparkling on her lashes and her long hair. “I always thought I’d be a great lady someday, you know?”

“A great lady?”  My voice sounded as hollow as the stone angel weeping over the tomb.

She flung her hands wide above her head. “I’d marry a prince or somebody famous.”

I tried to smile but failed.  “Prince Charming isn't likely to find you in a nunnery.”

This little girl was my chance to play the angel once more.  Last night, I’d withdrawn ten thousand American dollars from an account in the Grand Caymans as a safety net for my high wire act.  There was scant chance the authorities had thought to freeze, or could even find my holdings, and I had plastic by the number.  I fished in the chest pocket of my coat.  My wallet was still there, bulging with soaked thousand dollar bills.

“Are you a bum?” She cocked her head and a charming eyebrow

“Do I look like a bum?”  I’d dreamed of changing the world.  How the Mighty fall.

“Well, yeah.” She stressed the last word.

A bitter laugh burned my throat. "Hold on to your dreams.  Dreams do come true.  Allow no one to convince you otherwise.”  My hand shook, and I almost dropped the wallet engraved with my initials and the St. Averil crest—worthless reminders of a life left behind.

As I began shoving handfuls of sodden currency into her pockets, she gasped.

“Is this real money?”  Her eyes narrowed, studying the bills.  “It is.  A lot of money.”  An accusing gaze locked to mine.  “Did you rob a bank?"

“The money is mine.  Now it's yours." Thinking of a special little girl I’d taught to dream, I smiled wistfully.  “I must warn you.  Princes are in short supply.”

“You are an angel,” she whispered reverently.  “Grandma said angels didn’t always look like angels when they appeared to you.”

A sharp pain lanced my heart.  “I’m not an angel, child. Run along home before you catch a chill.”  And I used energy I couldn't afford to expend to simply disappear.

I reappeared behind a mausoleum ten feet away, still smelling of rotting flesh.  I fled past the new headstones, gliding around the shadowed turn where the path twisted sharply, the bricks chipped and broken.  The old cemetery dated to the birth of the colony—a time I’d well enjoyed.  Here there were no faded silk flowers.  The loved ones who’d tended these graves were moldering in other graves.  I stopped at a raised tomb, wiped the inscription with my sleeve.

Samuel Rutledge, a soldier of the South.

"Samuel, Old Man, I shall be honored to accept your hospitality this bleak evening.”

I eased the lid of the crypt back.  The stench of aged death assaulted me, but I’d run out of luck and choices, so I climbed into dusty, dank darkness.  A long sigh escaped me as I settled the stone in place, extinguishing the fury of the night.  The static of lightning capered along taut nerves.  Thunder resounded like the final chords of a requiem, but I was safe from the storm raging outside.  A different storm raged inside the tomb I shared with Samuel.  Eventually, one must pay the piper. Tonight, I’d paid handsomely for a very short dance.

“Move your elbow, Sam,” I told my musty bedfellow.  “You’re poking my ribs. By the way,” my voice caught, “it’s my birthday.”

While the hours crawled by, I explained to Sam how I’d lost the only woman I’d ever loved.  I told him about my purpose and my dream.  After all, the dead tell no tales.

The instant sleep claimed me, I saw Isabeau reflected in her bathroom mirror.  The light from a single candle flickered over her pearly nakedness.  In her hand was a red, red rose.  On a white marble countertop, burgundy wine shimmered in a fragile blown-glass goblet.  Eyes closed, she swayed hypnotically as a concert grand piano sang The Moonlight Sonata.   My beloved was listening to my music!

A convulsion of dry sobs wracked her naked body.  She squeezed the rose tighter and tighter until blood leaked from the crevices between her fingers and red rivulets ran down her arm.  She opened her hand, stared at the blood then, shaking with silent sobs, raked the brutal thorns into her wrist.

I screamed, “Isabeau,” but there was no sound.

Like the dead, at sunrise, the undead tell no tales.

Thus dawned the first day of a future without Isabeau.

**

For nearly four hundred years I've witnessed miracles of technology and the political wars that reshaped the world.  I've seen much to hate, a great deal worthy of forgiveness.  I was born May 29, 1633, the only son of the Earl of St. Averil and his Lady Ilsabeth de Gueraint D'Arcy.  He died at the Battle of Naseby fighting with Charles I.  Heartbroken, she died alone in 1685.  By that time, an unnaturally long youth had forced me to fake my own death for the first time.  I watched from afar, unable to attend my mother’s funeral.

Yesterday I was a celebrated pianist.  I learned my art on the harpsichord from an Austrian genius named Wolfgang Amadeus Mozart.  Later, I studied with Liszt, Ravel and Debussy.  From the Duke of Newcastle, then the Frenchman de la Gueriniere, I studied classical horsemanship.

Tonight I am a wanted man.  Mortal justice would try me for a crime I did not commit.  My brethren wish to destroy me for a crime I committed with willful intent.

It all began in January, a brief five months ago.  Actually, the saga began in 1659 before the restoration of Charles II, but that's another story...

This is our story—Isabeau’s and mine—our Folie à deux.

COLLAPSE
Reviews:Beth Trissel on Amazon.com wrote:

A riveting concert pianist and former Royalist fighting for the ill-fated English King Charles 1st, Morgan D'Arcy is a class act and the most arresting vampire I've ever encountered in literature or films. His sophistication soars above others in his league. What am I saying? There are none in his league. Morgan's arrogant veneer--actually, he is rather proud of his mesmerizing appeal--conceals a powerful love for the intoxicating woman he's waited centuries to have and to hold. But not bite. And therein lies the tremendous struggle. His hunger for the life giving flow running through Isabeau's lovely veins is an ever-present temptation he must resist. Nor is Morgan without enemies in his dark world who would gladly see this formidable rival fall from the heady heights he's achieved and rob him of the beautiful Isabeau. Can he safeguard her from them, from himself? Or forfeit all? A far greater battle faces Morgan than preserving a king, and the stakes are higher. The cost if he fails, his heart. And his life, but what is life without Isabeau?

Fascinating, gripping, and seamlessly penned, Author Linda Nightingale introduces us to the unforgettable Morgan D'Arcy in his debut novel fittingly entitled Sinner's Opera. I eagerly await my next encounter with Morgan. This novel begs for a sequel, or two, as do I.

LInda Tonis on Paranormal Romance Guild wrote:

4 STARS: From the day Isabeau Gervase was born Morgan Gabriel D’Arcy knew she would become his and bear his children and for thirty years he waited till she was grown and achieved all she wished for. As a child Isabeau knew Gabriel as her Guardian Angel and loved him but as she grew up and offered herself to him his refusal left her doubting, he ever existed. It was twelve years ago that he stopped appearing to her and now she put her childhood fantasy behind her.

The last time she saw him, and he refused her she took a scissor and cut her hair and his leaving her with a sample of him that as a geneticist she took to exam and that was when she learned that her Guardian Angel was not an angel and not human. She is determined to learn what he is, but her research was stolen and wound up in the hands of the vampire council. If her research could prove the existence of vampires, it would be disastrous, so she would have to die.

Morgan is a vampire and a world renown pianist, and he finally decided it was time to enter Isabeau’s life once again. When she sees Morgan, she is shocked how much he resembles Gabriel, but she will soon learn that there is much more going on than she could ever have imagined. While Morgan makes plans to reunite with the woman he has loved since birth there are enemies from his past that are determined to see him lose what he covets the most.

Isabeau is engaged to a man she does not love and when Morgan comes back into her life, she knows that she never loved him. Isabeau’s life is in danger because of his past and since he is asleep during daylight hours he relies on his manservant, Avery to watch her when he can’t. Avery is not a vampire and is no match for one but is willing to protect her at all costs. Avery knows that the love Morgan has for Isabeau is an eternal love, but a love destined to bring nothing but pain.

This was a doomed love story, about a human and a vampire whose love could light up the world but one that is riddled with so many obstacles. Morgan cherishes the kills and Isabeau can’t live with that so can Morgan give up what he needs to survive and if he does will Isabeau be willing to stay by his side.

Morgan’s beauty has made finding partners easy including a love from the past, a love he never reciprocated.

Isabeau’s fiancé, John, and her best friend Kirsty know nothing about what Morgan is but they both know that she is in danger and Morgan is the cause. Isabeau is being pulled in all directions but her love for Morgan blinds her to everything around her but him.

This was a love story for the ages but whether it is a HEA love story I won’t reveal. I will say that I would love to read more about Morgan and Isabeau and hopefully Ms. Nightingale is working on a sequel as I am writing this review.

I have always been a huge fan of vampire books, movies and TV shows and if you are like me then this book should be on your to read list.

Toni V. Sweeney on New York Journal of Books wrote:

Morgan D’Arcy is a man on the run: from the Charleston police for murders of which he’s innocent and from his fellow vampires for crimes of which he’s guilty.

“Tonight, I am a wanted man. Mortal justice would hang me for a crime I did not commit. My brethren wish to destroy me for a crime I committed with willful intent.”

Told in one extended flashback, Sinners’ Opera is the story of that crime.

Morgan has waited a lifetime for Isabeau Gervase—more than a lifetime since he’s a vampire and she a mortal. He knew her parents, maneuvered them into marriage, and eagerly awaited the birth of their daughter who will be the one to save vampires from their curse.

“He’d manipulated her entire life, interfered in her parent’s lives. It was beyond belief, but sadly not beyond his ability.”

To the child Isabeau, he appeared as an angel, calling himself Gabriel, regaling her with stories of his ancient past. He encouraged her to become what she will later choose as her profession as a geneticist, one seeking to prevent defects before birth.

Contrary to popular belief, vampires and humans can mate, can produce offspring but it’s forbidden by the Les Elus, “the hierarchy of ancients who rule the Vampyre,” because it invariably brings uncontrollable madness.

“DarkeChildren, offspring of immortal and mortal, were genetically flawed.
Puberty was the catalyst that caused the bad seed to flower into madness. The Vampyre swat squad, the Cheval de Bataille, was charged with destroying these poor creatures.”

Morgan’s plan is to produce a child with Isabeau and have her cure it of this madness, thus freeing his own species.

“Our child would never suffer insanity. Isabeau could isolate and eliminate the fatal gene . . . Most sane vampires refrained from pissing off Les Elus—except me of course.”

At this stage of his existence, Morgan is a world renowned concert pianist come to Charleston as part of a current tour. When Isabeau meets him at a charity concert, she has no idea it’s been brought about by his machinations. She’s now an adult, and he’s preparing to claim her as his own. The fact that she has a fiancé is trivial.

“John was Charleston born-and-bred, Old South blueblood . . .” In his own way, he’s as arrogant as Morgan, though nowhere near as deadly. “Her pragmatic boyfriend—fiancé—invested in ventures that made money . . . In most of that equation, she and John were like quotients . . .”

Morgan and John begin their rivalry dueling with words.

“With a perfectly straight face, I said, “Size does count. The length of the strings produces deeper resonance.”

“Some men drive big trucks.” Payne slid an arm around Isabeau’s shoulders,
tucking her close to his side. “Some, I guess, play big pianos.”

Thus Morgan begins his courtship of the woman he’s loved since before her birth. Isabeau responds, but soon their affair whirls out of control.

“Since 1659, I’d never allowed any woman or man to control my fate. For better or worse, I’d shaped the centuries with my own hands.”

That’s about to end.

Vampires’ plans, like those of mice and men, often go astray. An unknown enemy has informed Les Elus of Isabeau’s research, and they’ve sent Lucian St. Albans, their enforcer, to ferret out and destroy any and all involved.

“As a young mortal man, Lucien had watched his countrymen nail a carpenter to a cross. Centuries later, he had the power to condemn me to crucifixion—in the sun.”

Lucian is a particularly beautiful thorn in Morgan’s side since he’s been both savior and threat from their initial association.

I studied the beautiful, ruthless vampire who’d found me wandering a rutted road in the spring of 1659. Without him, the morning sun would have ended my pilgrimage to the Vampyre.”

This time, however, Lucian refuses to look away, intending to bring his favorite to justice if he’s indeed the one behind the present problem.

“Your Mensa IQ makes you more powerful than others your age, but your powers are naught to mine,” he said. “One day you’ll crawl on bended knee to beg my forgiveness.”

I cocked an eyebrow, diverting energy to my shields. “Eternity is a very long
time.”

Unfortunately for Morgan, around the time he arrived in Charleston, someone began committing a series of horrendous murders, and his own actions as well as some deft maneuvering by his foes make suspicion and eventual certainty point to him as the killer. Soon he may be facing arrest.

. . . and there’s still Isabeau’s fiancé to deal with.

Told from Morgan’s point of view, Ms. Nightingale’s version of the “vampyre effect” is original in its use of a transforming virus. Her vampires have reflections, can speak the name of God, and refute several of the usual laws constraining the Undead.

The creation of Morgan himself is a tour de force of egotism, wit, sensuality, and talent, as well as a determination to bring about his plan while protecting Isabeau from harm.

Sinners’ Opera is a beautifully written love story with vivid imagery, dry humor, sarcastic wit, and sensuous love scenes. The descriptions of Charleston bring that city to life. It’s also a fascinating journey through the psyche of a man who’s lived through the centuries but is now willing to die for the woman he loves and to bring his kind into the light of the mortal’s world.

And thereby hangs this tale of love, deception, murder, and revenge.