horror – occult

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Summary: Rose Titus, author of The Vampire Next Door Trilogy, now brings together a collection of her best short stories. Here in this book you will find tales of vampires, werewolves, witches, ghosts, space aliens, and even a few angels. These stories answer questions such as where do we go after we die? What is the future of this planet? And what is the future of humanity? There are also stories of young runaways, old hippies, worried mothers, troubled families, love gone horribly wrong, selfish billionaires, people who find themselves suddenly homeless, old men with their recollections of days gone by, and girls gone wild! There may even be a murder or two.

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Summary: WILL YOU BE ONE OF THE INVITED? A forbidden midnight market is coming to town. The Night Bazaar isn't new. In fact, it's as old as civilization. Its first recorded appearance was in Sana'a, around 700 B.C.E. with secretive merchants from the East who presented covered stalls of exotic goods and arcane services. Various mentions appear in obscure and controversial works from around the world. The only common element is that the market opens at midnight, closes before sunrise, and may appear for up to a week in the same city . . . Paris, 1796 . . . London, 1888 . . . Berlin, 1936 . . . San Francisco, 1906 . . . but never in the same venue each night. And never again in the same city. There's just one catch: In order to find it, you must be Invited. Tonight, The Night Bazaar opens in a parking garage somewhere in Manhattan. A whole subterranean city full of antique costumes, alchemical treatments, magical dentistry, palmistry, Tarot, tea leaf-reading, and water-, glass-, and crystal-gazing, oddities and objets d’art, medical curiosities and surgical instruments. Other lost arts and body alterations are offered in certain alcoves. Through the narrow aisles throng jongleurs, freaks, charlatans, mountebanks, faeries, prostitutes, and acrobats. The scents of opium, perfume, tobacco, greasepaint, incense, plastic explosive, alcohol, and sex permeate the air. But each object or service comes with a gift, a curse, or a haunting. (This is the summary of volume one. However, The Night Bazaar anthologies need not be read in any particular order; they are all designed to stand alone as well.) The Bazaar sells that which cannot be had elsewhere. Everything you’ve read about but thought had passed away, or perhaps never existed. How wrong you were! Your guide is Madame Vera, a tall, thin woman of uncertain age, ethnicity, and trustworthiness. The stories within are your invitation to join us. It seems you have already spotted something you desire . . . but don’t head off that way, not just yet. You have all night . . . but not a moment more.

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Summary: The Fright Factory is here to help you as you labor in the control room, on the assembly line, or mixing the chemicals of inspiration and imagination in huge vats that give off dark and eerie vapors. Here you'll find guidance in drawing up the blueprints of your story along with a selection of tools to help you customize your design. The elements of horror include the setting, the tingle of suspense building into genuine fear, and of course the Monster. Those are the basics. From there horror can become ghost stories, tales of suspense, splatter and/or gross-out horror, and what might be called the O. Henry approach (twist endings). Cross-genre writing mixes in police procedurals, P.I. stories, and medical horror. Romance with monsters has become popular. You can also throw in the weird western, the Elder Gods, and Joe R. Lansdale - a category unto himself. Whether you're telling a weird tale in the classic tradition of Clark Ashton Smith or creating cutting edge steampunk frights, the long and venerable history of the horror story has also spawned a set of clichés you'll want to avoid. Now the whistle shrieks, signalling the beginning of a new shift. Time to set the machinery of the factory in motion as we explore the art and craft of building better horror.

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Summary: Markus a wizard from a parallel Earth travels to our world in a bid to stop a blight that is destroying his own. Here he meets Alcina, a Wiccan Priestess, who is in a custody battle over her son, Tim, against Carl, the boy’s sire, who abandoned her when she was pregnant eight years before. Carl has the backing of a dangerous religious cult in his bid to take Tim. Together Markus and Alcina face the forces of intolerance and hate to save a child and a world and thaw two warm harts too long trapped in the ice of betrayal. Meanwhile, Markus’ best friend and his ex-fiancée, who is now a vampire, battle the authorities who are likely to hang Markus upon his return because he has done research into forbidden magics.

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Summary: Nukekubi are a form of Japanese goblin that during the day look like ordinary folk. At night they separate their head from their body and fly around scaring people to death to feed on the energies released. Ray McAndrues, a Pagan wizard/priest, encounters a Nukekubi that is feasting on the people of Toronto and decides that he has got to put a stop to it. Ray gains allies in his quest in the form of two Japanese martial artists who have made hunting Nukekubi their life’s work and his on-again, off-again girlfriend Cathy, who is also a mystic. Problems arise when east and west do not communicate wall and Cathy is his on-again, off-again girlfriend. Also, what is the centuries-spanning tie that binds Ray to the Nukekubi and will it help or hinder the quest?

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Summary: As the Conover family drives from L.A. to Chicago strange things begin to happen. Nine year old Michael sees a face form in the window of the family car. Two creepy children stare at fourteen year old Alison at a motel. A car follows the family for many miles, then hits their car and drives away. Wherever the Conover family goes, wherever they look, they see a large woman and her children coming closer. The woman and her children are superhumanly strong. They can enter a locked room without opening the door. Confused and scared, the Conovers can’t comprehend what is happening to them. Everywhere they turn they see the woman and her children. The woman is Mama, and as she teaches her children, like a lioness teaching her cubs to hunt, the Conovers realize that they are the prey.